{"id":283,"date":"2020-07-05T14:41:03","date_gmt":"2020-07-05T14:41:03","guid":{"rendered":"http:\/\/indepthcommunication.com\/?p=283"},"modified":"2020-07-05T16:48:28","modified_gmt":"2020-07-05T16:48:28","slug":"new-zealands-destination-promotion-a-case-study-on-the-impact-of-the-filmlord-of-the-rings-on-tourism","status":"publish","type":"post","link":"https:\/\/indepthcommunication.com\/index.php\/2020\/07\/05\/new-zealands-destination-promotion-a-case-study-on-the-impact-of-the-filmlord-of-the-rings-on-tourism\/","title":{"rendered":"New Zealand\u2019s Destination Promotion: A Case Study on the Impact of the Film\u2018Lord of the Rings\u2019 on Tourism"},"content":{"rendered":"\n<p> The chapter is part of <strong><em>Media Management in Communicating Tourism: Edited Essays<\/em><\/strong> (ISBN: 9781648054341). <\/p>\n\n\n\n<p><strong>Dr.<\/strong> <strong>Debastuti Dasgupta<sup>a<\/sup>, Grishma Raj Ariyal<sup>b<\/sup><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Abstract\n<\/strong><\/p>\n\n\n\n<p>With the rise in number of travelers around the globe at 1.4 billion global travelers by the end of 2019, the global tourism industry contributes $8.8 trillion and 319 million jobs to the world economy.&nbsp; With such growth, the government and different stakeholders of tourism industry are constantly marketing their destination through various channels as tourism has positively contributed to a country\u2019s economic progress. In this light, destination tourism induced by films has been one of the key strategies used by tourism marketers and the government to promote a specific destination.Being increasingly aware of the international release of the film \u2018Lord of the Rings\u2019(LoR), Tourism New Zealand (TNZ) aligned its promotional strategy to draw tourists in their country. <\/p>\n\n\n\n<p>This study reviews articles, research papers, economic surveys and analysis related to TNZ destination promotion strategy and its socio \u2013 economic impact on New Zealand\u2019s tourism. This case study analyzes the destination promotion strategy undertaken by TNZ, and the subsequent impact on New Zealand\u2019s tourism generated by promoting its destination in the movie LoR. <\/p>\n\n\n\n<p><strong>Keywords: <\/strong><em>Destination Promotion, Tourism New Zealand, Global Tourism, Film Induced Tourism<\/em><\/p>\n\n\n\n<p>a &#8211; Assistant Profesor, Asutosh College, Kolkata <br>b &#8211; Freelance Visual Communication Trainer, Nepal<\/p>\n\n\n\n<p><strong>Introduction<\/strong><\/p>\n\n\n\n<p>Destination\nmarketing is a type of marketing that promotes a destination (town, city,\nregion, country) with a purpose to increase the number of visitors. In other\nwords, destination marketing is advertising a location to promote tourism of\nthe specific area. Unlike marketing a physical product where consumers buy a\nproduct which is delivered through different distribution channels, destination\nmarketing persuades a consumer to visit a location. <strong>Destination marketing<\/strong>&nbsp;has received considerable\nattention over the last couple of years as it contributes to a country\u2019s\neconomy, creates job and provides a platform for cross cultural influences.<\/p>\n\n\n\n<p>Like in any marketing, a\nsuccessful destination marketing mix also has the four P\u2019s i.e the Product,\nPrice, Place and Promotion. <\/p>\n\n\n\n<p>The Product in destination\nmarketing corresponds to various activities tourists can engage themselves\nwhile visiting a destination like adventure, sports, sightseeing, food etc.\nLikewise, price is the cost a tourist has to incur while visiting a\ndestination, which influences their decision while selecting different locations\nto visit. Similarly, place corresponds to the physical location, its\naccessibility, availability of transportation etc. Lastly, Promotion refers to\nhow well a certain location has been promoted through digital and traditional\nmedia. <\/p>\n\n\n\n<p>This paper, out of the\nfour marketing mix will focus on the promotion mix to study how movies can\npromote a particular destination. The paper will analyze the strategies of Tourism\nNew Zealand to promote New Zealand through the movie Lord of the Ring. <\/p>\n\n\n\n<p>Film tourism is\nrelatively new in the field of tourism. It is seen from various literatures\nthat film can have strong influence on tourist decision making process. Film\ndoes not give only short term revenue but long term affluence to the\ndestination<\/p>\n\n\n\n<p>The movie Lord of the\nRing (LoR) is a fantasy fiction where human co \u2013 existed with elves and dwarves.&nbsp; The story of LoR begins with the history of\nthe power of rings, which were distributed to humans, elves and dwarves. However,\none ring was the most powerful which was made by dark lord Sauron, by which he\ncould rule every other creature in the fictitious world. However, the dark lord\nloses the ring which is dropped in the ocean, and years after found by the\nhobbits who are depicted as peaceful creatures. <\/p>\n\n\n\n<p>However, having known\nthe hobbits own the ring, an uprising among various creatures starts to gain\nthe ownership of the ring. <\/p>\n\n\n\n<p>Throughout the film, the\nadventure of one of the main character Gandalf, who has supernatural powers and\nan ally of the hobbits are shown in the movie, taking him to different shoot\nlocations in New Zealand. The movie depicts the beauty of the country with\norganic images of New Zealand.&nbsp; <\/p>\n\n\n\n<p><strong>Literature Review&nbsp; <\/strong><strong><\/strong><\/p>\n\n\n\n<p>Film tourism is a\ngrowing area as the entertainment industry is growing parallel with tourism\nindustry (Hudson, Ritchie, 2006).According to Hudson and\nRitchie (2006), film tourism is characterized as tourist visits to a place or\nfascination, thus, of the destination being highlighted on TV, video, or the\nsilver screen.There are many opportunities for a tourism marketers to promote a\ndestination during a release of the movie, and can also encourage many\nindustries related to tourism to promote their business by persuading visitors\nto travel to the destination. <\/p>\n\n\n\n<p>According to Morgan and Pritchard (1998), placing a\ndestination in a film is the ultimate in tourism product placement. Product\nplacement is an emerging phenomenon, and has been defined as the planned\nentries of products into movies or television shows that may influence viewers\u2019\nproduct beliefs and\/or behaviors favorably (Balasubramanian 1994). Its growth\nhas been spurred by the diminishing effectiveness of traditional advertising\ntechniques (Kaikati and Kaikati 2004), and marketers are realizing that\ncommunications via product placement can be more sophisticated, more targeted,\nand more widely seen than traditional advertising methods (Karrh, McKee, and\nPardun 2003).<\/p>\n\n\n\n<p>Many researches points to the fact that product placement\ncan have greater impact with program audiences than is typically found with\ncomparable advertising exposures (Karrh, McKee, and Pardun 2003), and some\nresearchers have found that a simple visual placement in the background can be\nas effective as a highly integrated placement (Russell 2002).<\/p>\n\n\n\n<p>Films, through its visual means have an impact on\ndestination image if the location plays a part in a film. However, as many\nbusiness groups have started to place their destination in movies, the\ncompetition in destination promotion is fierce. Therefore, a destination must\nbe favorably differentiated from its competition and positively positioned in\nthe minds of consumers (Pike and Ryan 2004; Echtner and Ritchie 1991; Joppe,\nMartin, and Waalen 2001). Schofield (1996) suggested that in the minds of contemporary\ntourists\u2019 organic images of a destination can form a favorable image of a\ndestination. <\/p>\n\n\n\n<p>Likewise, according to a study titled, \u201cPromoting\nDestinations via Film Tourism: An Empirical Identification of Supporting\nMarketing Initiatives\u201d, (Ritchie) there are four types of activities where film\npromotion can play a crucial role in destination promotion, which are as\nfollows: <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Practical efforts to\nencourage producers and studios to film at the location<\/li><li>Effort to generate Media\nPublicity around film and its location.<\/li><li>Marketing undertakings\nthat promote the film location after production&nbsp;&nbsp; <\/li><li>Peripheral marketing\nactivities that influence film tourism potential.<\/li><\/ul>\n\n\n\n<p>Similarly, another paper titled, \u201cMovies\nas a tool of Modern Tourist Marketing\u201d,&nbsp;\nestablishes that there exists a relationship between cinema and tourism\nbecause of the common characteristic of both the industries being a means of\nescape. It also declares that people choose their tourist destinations with\nwhat they saw in audio visual platforms like cinema and television. This can\nvoluntary or involuntary have an influence on the people. Another finding is\nthat there is a link between tourism in destinations and its placements in the\nmovie.(Nikolaos\n Vagionis, 2011)<\/p>\n\n\n\n<p>Similarly,\nand article published on travel website Toposophy.com tries to elaborate the\nrole played by the movies in attracting tourists towards a particular tourist\ndestination. It further states that movies are encouraging tourism by promoting\nthe locations shown in them. This has led to a steady increase in the number of\nvisitors arriving at the destinations. The article justify its statement by\nreferring to a global benchmark survey TRAVELSAT Competitive Index which\ndeclared its findings that around 40 million of international tourists chose\ntheir destination mostly because they saw a film shot in that country.&nbsp; <\/p>\n\n\n\n<p>In\na similar manner, a recent research titled Film \u2013 Induced Tourism: A systematic\nLiterature Review concludes that perceptions of tourism destination vary in\naccordance with the type of film and film induced tourism, city branding and\nimage of a place, boosting number of visitors and generating favorable economic\nimpact (Cardoso Estevalo Fernandes Alves, 2017). However, the same research\nalso states that sometimes film induced tourism can also bring negative impact\nto the community. <\/p>\n\n\n\n<p>There\nhave been few examples where film induced tourism on one hand has increased the\nnumber of tourists but on the other hand has put enormous pressure on the\nenvironment. According to an article published in Financial express, the surge\nin tourism in a Indian district of Ladakh after a famous Bollywood movie 3\nIdiots has put pressure on eco \u2013 sensitive zones). (Surge in tourism after Aamir Khan\u2019s 3 Idiots puts pressure on\n eco-sensitive zone, Ladakh opts for new sustainable ways, 2019)<\/p>\n\n\n\n<p><strong>Methodology<\/strong><strong><\/strong><\/p>\n\n\n\n<p>The\nmethodology includes reviewing articles, research papers, economic surveys and\nanalysis related to TNZ destination promotion strategy and its socio \u2013 economic\nimpact on New Zealand\u2019s tourism. This case study analyzes the destination\npromotion strategy undertaken by TNZ, and the subsequent impact on New\nZealand\u2019s tourism generated by promoting its destination in the movie LoR. <\/p>\n\n\n\n<p><strong>Tourism New Zealand and its Tie up with the Movie Lord of\nthe Rings <\/strong><\/p>\n\n\n\n<p>The Lord of the\nRings&nbsp;is a&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Film_series\">film series<\/a>&nbsp;of three&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Epic_film\">epic<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Fantasy_film\">fantasy<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Adventure_film\">adventure films<\/a>&nbsp;directed by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Peter_Jackson\">Peter Jackson<\/a>,\nbased on the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lord_of_the_Rings\">novel<\/a>&nbsp;written by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/J._R._R._Tolkien\">J. R. R. Tolkien<\/a>. The films are subtitled&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lord_of_the_Rings:_The_Fellowship_of_the_Ring\">The Fellowship of the Ring<\/a>&nbsp;(2001),&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lord_of_the_Rings:_The_Two_Towers\">The Two Towers<\/a>&nbsp;(2002)\nand&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Lord_of_the_Rings:_The_Return_of_the_King\">The Return of the King<\/a>&nbsp;(2003).\nProduced and distributed by&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/New_Line_Cinema\">New Line Cinema<\/a>&nbsp;with the co-production of&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/WingNut_Films\">WingNut Films<\/a>,\nit is an international venture between New Zealand and the United States. The\nthree films were&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Back-to-back_film_production\">shot&nbsp; simultaneously<\/a>&nbsp;and entirely in\nJackson&#8217;s native New Zealand&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Production_of_The_Lord_of_the_Rings_film_series#Filming\">from\n11 October 1999 until 22 December 2000<\/a>, with&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Pick-up_(filmmaking)\">pick-up shots<\/a>&nbsp;done\nfrom 2001 to 2004. It was one of the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_most_expensive_films\">biggest and most ambitious\nfilm projects ever undertaken<\/a>, with a budget of $281&nbsp;million.\nAn&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Director%27s_cut#Extended_cuts_and_special_editions\">extended edition<\/a>&nbsp;of\neach film was released on&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Home_video\">home video<\/a>&nbsp;a year after its theatrical release.<\/p>\n\n\n\n<p>The Lord of the Rings&nbsp;is\nwidely regarded as one of the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_films_considered_the_best\">greatest and most\ninfluential film trilogies ever made<\/a>. It was a major financial\nsuccess and is among the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_highest-grossing_films#Highest-grossing_franchises_and_film_series\">highest-grossing film\nseries of all time<\/a>&nbsp;with over $2.9&nbsp;billion in worldwide\nreceipts. Each film was critically acclaimed and&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_accolades_received_by_The_Lord_of_the_Rings_film_series\">heavily awarded<\/a>, winning 17 out of their 30&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Academy_Awards\">Academy Award<\/a>&nbsp;nominations.<\/p>\n\n\n\n<p>The movie was shot in over 150\nreal New&nbsp;Zealand&nbsp;locations were used from the rolling green hills of\nMatamata in the North Island; Hobbiton, to Queenstown\u2019s snowy jagged mountain\npeaks; the Remarkables, featured as Dimrill Dale.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"386\" height=\"258\" src=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/newzealand-pix-1.jpg\" alt=\"\" class=\"wp-image-285\" srcset=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/newzealand-pix-1.jpg 386w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/newzealand-pix-1-300x201.jpg 300w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/newzealand-pix-1-135x90.jpg 135w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption>           Filming Location: Canterbury, New&nbsp; Zealand           <\/figcaption><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"blob:https:\/\/indepthcommunication.com\/29cd1062-fc0b-4b68-9d1e-a92fd82afa6f\" alt=\"\"\/><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"315\" height=\"262\" src=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-2.jpg\" alt=\"\" class=\"wp-image-287\" srcset=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-2.jpg 315w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-2-300x250.jpg 300w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-2-108x90.jpg 108w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><figcaption>           Filming Location: Mount Victoria, New  Zealand           <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>TNZ\u2019s Strategy of Movie Promotion<\/strong><\/p>\n\n\n\n<p>As tourism is one of the major industries of New Zealand, the country is focusing on getting more tourists to develop its economy through tourism. According to TNZ, more than 2.6 million tourists visits new Zealand in 2013 and the number is on rise since then. <\/p>\n\n\n\n<p>One of&nbsp; the major\nreasons of high number of tourists in the country is often attributed to TNZ\u2019s\ncampaign of 100% pure New Zealand, which was reinforced through organic filming\nlocation of the movie Lord of the Rings in New Zealand. The TNZ conducted\nfollowing activities to promote its destination through LoR:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li><strong>Promotion\nin website<\/strong><\/li><\/ol>\n\n\n\n<p>The TNZ website homepage\nhad the shots from the movie location which represented its campaign of 100%\nPure New Zealand. The example is shown as below:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"460\" src=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-3.jpg\" alt=\"\" class=\"wp-image-288\" srcset=\"https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-3.jpg 568w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-3-300x243.jpg 300w, https:\/\/indepthcommunication.com\/wp-content\/uploads\/2020\/07\/new-zealand-pix-3-111x90.jpg 111w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><figcaption>Official Website<\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Travel\nAgency Promotion<\/strong><\/li><\/ul>\n\n\n\n<p>Travel agencies in New Zealand promoted the movie in\ntheir promotional and PR activities like seminars, advertisements, and other\ncommunication collaterals. In this way, the message of 100% Pure New Zealand\nwas reinforced even stronger. <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Crew\nMembers and Actors Endorsements<\/strong><\/li><\/ul>\n\n\n\n<p>The PR campaign of TNZ also focused on how the crew\nmembers and the actors were spending time on the movie location as the actors\nhad huge influence over media. The international media followed these\ncelebrities and covered stories about on how they were spending time at the\nshoot location showcasing the organic sceneries of New Zealand. The stories\nwere covered by prominent news outlets like USA Today, the&nbsp;New York Post,&nbsp;The Denver Post, and the&nbsp;Chicago Tribune<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Developing\nMaps to indicate shoot location:<\/strong><\/li><\/ul>\n\n\n\n<p>The TNZ developed and promoted special maps of New\nZealand, where they indicated which locations were used to shoot the\nmovie.&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong>Impact on New Zealand\u2019s Tourism<\/strong><\/p>\n\n\n\n<p>According to George Hickton, CEO of TNZ, the tourism in\nNew Zealand rose by 10% after the international release of the movie Lord&nbsp; of the Rings, making New Zealand one of the\nrare countries where tourism increased after the terrorist attack on 9\/11. However,\nother officials from TNZ have claimed that tourists increased by 50% post the\nrelease of the movie. <\/p>\n\n\n\n<p>According to General Manager of&nbsp; Hobbiton Movie Set Tours, it is estimated\nthat Lord of the Rings added value of $50 million to $500 million annually (Financial\nTimes, 2015). Similarly, according to a specialist tour firm, Bridge of the\nworld that specializes in touring LoR film location reported that film site\nsales was selling twice as fast.&nbsp; <\/p>\n\n\n\n<p>Similarly, according to online news portal 19% of the\ntourist visiting New Zealand have responded that LoR has influenced their\ndecision to visit New Zealand (Flaws, 2019).&nbsp;\n<\/p>\n\n\n\n<p><strong>Conclusion<\/strong><\/p>\n\n\n\n<p>The influence of movies among the viewers in even choosing the destinations for their vacations is amply clear from the amount of studies being conducted in this field, some of which were reviewed for this paper. The result indicates that there is a significant relationship between the release of the movie LoR and increasing tourists in New Zealand. The TNZ\u2019s strategy to integrate film location pictures on its websites, through tour operators, and airlines has arguably created a positive result for New Zealand\u2019s tourism. Its PR strategy, which promoted the idea of 100% pure New Zealand, was perfectly reflected in various scenes of the movie. Therefore, the TNZ tie up with the movie LoR is a case which serves as examples for other countries to promote their destination through movies.<\/p>\n\n\n\n<p>Through\nthe movie LoR, New Zealand received several names given by the fans. It became\na phenomenon among the fans as New Zealand was known as middle earth as\ndepicted in the movie. Additionally, the phrase <em>Tolken Tourism (which means\na group of fans wanting to visit LoR shooting sites)<\/em> became popular phrase\nfor describing New Zealand\u2019s tourism and its impact on the country\u2019s economy. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Reference<\/h3>\n\n\n\n<p>Balasubramaniam, S. (1994). Beyond Advertising and  Publicity:Hybrid Messages and Public Policy Issues. <em>Journal of Advertising<\/em>,  29-47.<\/p>\n\n\n\n<p>Cardoso, L. Estevado, C. Fernandes, C.\n Alves,H (2017). <em>Film Induced Tourism: A Systematic Literature review. <\/em><\/p>\n\n\n\n<p>Echtner, C. M.\n (1991). The meaning and measurement of destination image. <em>Journal of\n Tourism Studies<\/em>, 2-12.<\/p>\n\n\n\n<p>Flaws, B.(2019). New Zealand Tourism\n Needs to reboot with new Lord of the Rings series. <br>\n https:\/\/www.stuff.co.nz\/business\/116597242\/film-and-tv-tourism-to-get-a-reboot-with-new-lotr-series-but-can-we-make-it-even-better&nbsp; Retrieved on 27<sup>th<\/sup> October 2019<\/p>\n\n\n\n<p>Kaikati, A. M.\n (2004). Stealth Marketing:How to ReachConsumers Surreptitiously. <em>California\n Management Review<\/em>, 6-22.<\/p>\n\n\n\n<p>Karrh, J. A.\n (2003). Practitioners\u2019EvolvingViews on Product Placement Effectiveness. <em>Journal\n of Advertising Research<\/em>, 138-149.<\/p>\n\n\n\n<p>Nikolaos Vagionis,\n M. L. (2011). MOVIES AS A TOOL OF MODERN TOURIST MARKETING . <em>TOURISMOS: AN\n INTERNATIONAL MULTIDISCIPLINARY JOURNAL OF TOURISM<\/em>, 353-362.<\/p>\n\n\n\n<p>Pike, S. a. (2004).\n Destination positioning analysis through a comparison of cognitive,. <em>Journal\n of Travel Research<\/em>, 333-342.<\/p>\n\n\n\n<p>RITCHIE, S. H.\n (n.d.). <em>Promoting Destinations via Film Tourism:An Empirical Identification\n of Supporting Marketing Initiatives<\/em>. Retrieved October 10, 2019, from\n http:\/\/citeseerx.ist.psu.edu\/viewdoc\/download?doi=10.1.1.510.4944&amp;rep=rep1&amp;type=pdf<\/p>\n\n\n\n<p>Russell, C. A.\n (2002). Investigating the Effectiveness of Product Placementsin Television\n Shows:The Role of Modality and Plot ConnectionCongruence in Brand Memory and\n Attitude. <em>Journal of Consumer Research<\/em>, 306-319.<\/p>\n\n\n\n<p>Smyth, J. (2015). New Zealand looks\n Beyond Last Hobbit. Financial Times<br>\n <a href=\"https:\/\/www.ft.com\/content\/ffc9c362-8a59-11e4-9b5f-00144feabdc0\">https:\/\/www.ft.com\/content\/ffc9c362-8a59-11e4-9b5f-00144feabdc0<\/a>\n Retrieved on 26th October,2019<\/p>\n\n\n\n<p><em>&nbsp;Surge in tourism\n after Aamir Khan\u2019s 3 Idiots puts pressure on eco-sensitive zone, Ladakh opts\n for new sustainable ways.<\/em> (2019,\n April 4). Retrieved Ocotber 27, 2019, from Financial Times:\n https:\/\/www.financialexpress.com\/lifestyle\/travel-tourism\/ladakh-tourism-aamir-khan-3-idiots-leh-travel\/1538279\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The chapter is part of Media Management in Communicating Tourism: Edited Essays (ISBN: 9781648054341). Dr. Debastuti Dasguptaa, Grishma Raj Ariyalb Abstract With the rise in number of travelers around the globe at 1.4 billion global travelers by the end of 2019, the global tourism industry contributes $8.8 trillion and 319 million jobs to the world economy.&nbsp; With such growth, the government and different stakeholders of tourism industry are constantly marketing their destination through various channels as tourism has positively contributed to a country\u2019s economic progress. In this light, destination tourism induced by films has been one of the key strategies used by tourism marketers and the government to promote a specific destination.Being increasingly aware of the international release of the film \u2018Lord of the Rings\u2019(LoR), Tourism New Zealand (TNZ) aligned its promotional strategy to draw tourists in their country. This study reviews articles, research papers, economic surveys and analysis related&hellip;<\/p>\n<p> <a class=\"more-link\" href=\"https:\/\/indepthcommunication.com\/index.php\/2020\/07\/05\/new-zealands-destination-promotion-a-case-study-on-the-impact-of-the-filmlord-of-the-rings-on-tourism\/\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-283","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-indepthcommunication-publications"},"_links":{"self":[{"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/posts\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":4,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/posts\/283\/revisions"}],"predecessor-version":[{"id":292,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/posts\/283\/revisions\/292"}],"wp:attachment":[{"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indepthcommunication.com\/index.php\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}